Trashing the Myth of the “Old South”: White Trash Identity- Seeking in Dorothy Allison’s A Bastard Out of Carolina

Main Article Content

Concepción Parrondo Carretero

Abstract

The reality of the poor whites in the South of the United States had not been properly represented within American southern literary tradition until a few decades ago, when authors born in poverty, like Dorothy Allison, started to speak out on behalf of their class. Upon taking down the literary myth of the “Old South,” Allison exposes the social situation of the poor whites/white trash while proposing an alternative to society’s stigmatizing, upon having her characters seek an identity in which the social label is no longer insulting or derogatory. This article aims to analyze Dorothy Allison’s mechanisms to dismantle the literary representations of the “Old South,” as well as her approach to “white trash identity-seeking” in her novel, A Bastard Out of Carolina.

Article Details

Section

Literatura

How to Cite

Trashing the Myth of the “Old South”: White Trash Identity- Seeking in Dorothy Allison’s A Bastard Out of Carolina. (2018). VERBEIA. Revista De Estudios Filológicos. Journal of English and Spanish Studies, 4(3), 103-117. https://doi.org/10.57087/Verbeia.2018.4227

References

Adair, V. “Class Absences: Cutting Class in Feminism” Feminist Studies. Fall 2005, Vol. 31, no.3, 575-603.

Allison, D. A Bastard Out of Carolina. New York: Penguin Books, 1993.

Allison, D. Skin: Talking about Sex, Class & Literature Ithaca: Firebrand Books, 1994.

Caldwell, Er. Tobacco Road. Athens : University of Georgia Press, 1995.

Caldwell, Er. Trouble in July. Athens: University of Georgia Press, 1940.

Caldwell, Er. God’s Little Acre. Mark Bryant (ed.). London: Hodder & Stoughton, 1998.

Dietzel, S. “An Interview with Dorothy Allison.” Mae Miller Claxton, ed., Conversations with Dorothy Allison. Jackson: UP Mississippi, 2012, 40-52.

Docka, D. “The Cultural Mythology of ‘White Trash.’” http://departments.knox.edu/catch/2002sp/docka.htm

Flynt, J. W. Dixie’s Forgotten People. Bloomington: Indiana University Press, 2004.

Goad, J. The Redneck Manifesto. New York: Simon & Schuster Paperbacks, 1997.

Guinn, M. After Southern Modernism. Fiction of the Contemporary South. Jackson: UP of Mississippi, 2000.

Harris, G Washington. Sut Lovingood. Yarn Spun by a Nat’ral Born Durn’d Fool. New York: Dick & Fitzgerald Publishers, 1867.

Hooper, J J. Adventures of Captain Simon Suggs. Tuscaloosa: University of Alabama Press, 1993.

Irving, K. “’Writing it down so That It Would Be Real’: Narrative Strategies in Dorothy Allison’s ‘Bastard Out of Carolina’.” College Literature. 1998, Vol.25, no. 2, 94-107. JSTOR, www.jstor.org/stable/25112380 [accessed 20 March, 2018].

Isenberg, N. White Trash: The 400-Year Untold History of Class in America. London: Atlantic Books, 2016.

King, V. “Hopeful Grief: The Prospect of a Postmodernist feminism in Allison’s Bastard Out of Carolina.” The Southern Literary Journal. 2000, Vol. 33, no.1, 122-140.

Lauter, P. “Late Nineteenth Century,” Heath Anthology of American Literature, Vol. C. Suzanne Phelps Weir, ed. Boston: Houghton Miffling Company, 2006, 09-14.

Lawson, L A. Another Generation: Southern Fiction since World War II. Jackson: UP of Mississippi, 1984.

Longstreet, A B. Georgia Scenes: Characters and Incidents in the First Half of the Republic. New York: Harper & Brothers Publishers, 1870.

Rubin, L A. I’ll Take My Stand: the South and the Agrarian Literary Tradition. (75th Anniversary Edition) Baton Rouge: LSU Press, 2006.

Southern Agrarian Society. http://southernagrarian.org/ &http://www.southernagrarian.com/

Tokarczyk, M, ed. Class Definitions. On the Lives and writings of Maxime Hong Kingston, Sandra Cisneros, and Dorothy Allison. Cranbury: Associated University Presses, 2008.

Wray, M and Annalee Newitz, eds. White Trash. Race and Class in America. New York: Routledge, 1997.

Wray, M .Not Quite White. White Trash and the Boundaries of Whiteness. Durham: Duke University Press: 2006.

Young, S. I’ll Take My Stand: the South and the Agrarian Literary Tradition, Baton Rouge: LSU Press, 2006.