“Estás temblando, Hermana”: un estudio cultural del miedo en Yo sé por qué canta el pájaro enjaulado de Maya Angelou
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El miedo parece estar arraigado en las experiencias de las mujeres desde una edad temprana, particularmente entre las jóvenes negras, cuya niñez está influenciada por un sesgo racializado de género. Esta contribución examina cómo las normas socioculturales afectan la expresión del miedo en la escritura de la niñez de Maya Angelou, a través de su primera memoria Yo sé por qué canta el pájaro enjaulado (1969). A partir de un modelo cultural de análisis, se observa que los niños en la sociedad negra del sur de los años 30 son incapaces de articular verbalmente la mayoría de sus miedos. La vergüenza y el silencio rodean la expresión de esta emoción, como un indicador de la represión emocional de la sociedad. Se evidencia que, a través del estudio de la experiencia emocional temprana de perspectivas marginales, puede revelarse un mundo de construcción de la emoción hasta ahora desestimado.
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